
PU-ERH · 400 g
A raw Pu-erh listed as a 2007 Nanjiao cake, with an amber cup and notes of dried apricot, camphor and cedar.
€68
Dried apricot / Camphor / Aged cedar / Lingering finish
Menghai, Yunnan, China
To be announced.
A starting point to explore with your own water. Adjust the recipe to the cup you enjoy.
Gongfu · repeated infusions
Suggested starting point
Loosen an intact flake and let the leaf hydrate. Infuse and drain fully, adjusting once the cake has opened.
Everyday · grandpa style
Suggested starting point
Let a small flake open in a large cup. Sip when comfortable and refill at halfway to keep the concentration even.
To be announced.
We invite you to find your own way of brewing, guided by your water and your intention.
Taste the balance between the woody aroma, dried fruit and bitterness. A dark cup does not by itself tell you how long to steep. Let the opened leaves and the finish guide when to add time.
Our exploration
Try letting the lasting finish be a reminder to keep one simple intention through your practice. Return to it without forcing your attention to stay fixed.
Focus · Steadiness and intention
| Asana | Tadasana — keep your direction clear and your body unbraced. |
|---|---|
| Dantian | Lower dantian — return attention to your centre. |
| Chakra | Manipura — notice the solar plexus without holding the breath. |
| Meridian | Stomach channel — trace the familiar pathway with even attention. |
What did you notice while drinking “Nanjiao” Raw Pu-erh, 2007 or afterwards?
Historical descriptions reflect the views of their time.
Historical Pu-erh · Zhao Xuemin, Bencao Gangmu Shiyi, vol. 6
Zhao Xuemin records Pu-erh from Yunnan in large, medium and small compressed forms, including large tribute rounds.[1] The entry concerns historical Pu-erh broadly; it does not identify this cake or its processing.
Tea broadly · Tang accounts collected by Feng Yan and Lu Yu
Feng Yan records permission to drink tea among Chan students at Lingyan monastery whose training involved staying awake.[2] Lu Yu preserves a passage attributed to Tao Hongjing associating bitter tea with bodily lightness and naming immortal figures as drinkers.[3]
